Brushstrokes 2013 Chhattisgarh
“Brushstrokes 2013 Chhattisgarh” is the 7th straight show and it is for the first time in Raipur organised and planned by
It will be an exhibition of the best contemporary artworks from artists from across the nation and beautiful folk arts from the countryside of the nation. The art exhibition will take place at the Art Gallery Dept. of Culture, MGM Museum, Civil Lines, near Raj Bhawan, Raipur, Chhattisgarh from 4th October to 6thOctober 2013. The exhibition will witness more than 50 artists from all over India which will include 7 contemporary loyalists from the state of Chhattisgarh, showcasing a diverse combination of different themes, genres, styles and more. This wonderful exhibition is also supported and sponsored by Audi Raipur and with the help of Ministry of Culture, Chhattisgarh.
“” is made up of pure blooded passionate people who are fond of artworks from different genres and cultures. It is a group of compatible persons from corporate world who have a taste for Indian Art; they include bankers and other professionals. Their inclination and fascination towards arts acted as a catalyst to raise such online unit which targets to promote artists and their arts. It wishes to spread love with invaluable creations of the various Indian artists. They also endorse Indian Folk Art and encourage various folk artists from the corners of the nation. They also offer different benefits to the unfortunate and less privileged artists from villages and rural corners of India. Colourentice depends on the recommendations for including any artists along with their group. The intake process is quite fair and transparent enough and thus leads to quality artists who are equally talented in their own genres.
The exhibition in Raipur will be an extra ordinary display of artworks and it will be presented in a classic way and will give a feeling of accurate craftsmanship from the artists across the nation. Well-known artist Dr Dhruva Tiwary was the chief organizerof this stunning display locally, has also showcased his enticed works along with five other artists from Chhattisgarh. The others include Sanju Jain, Hukum Lal Verma, Yogendra Tripathi, Anand Tahenguria and Mahesh Sharma.
Rina Mustafi, Sadhu Aliyur, Gopal Chowdhury, Dhiren Sasmal, Shrikant Kohle, Jagannath Paul, Prashant Nayak, Samir Sarkar and many others will be representing the Indian contingent. The Art Gallery was surrounded with an optical gala that extended a warm welcome and refreshed the visitors and relieved their eyes and it seemed to colour their life also. The exhibition is starting from 4th October 2013.
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Easy ways of making Acrylic Paint Look like Watercolor
An artist generally tends to use acrylic paints rather than simple water color. The reason behind this is very simple. The artist knows that how sensitive watercolors are and once a mistake is made using them, it is very difficult to correct it.
Merits of acrylic color over water color
While using acrylic color or oil paint you can easily cover up such blemish or spot in your painting. The other major problem that most of the artist experiences when they work using water color is that the colors do not blends well with other color and the blended colors looks muddy which directly affects the appearance and sense of your art piece.   Too much use of water color in the paper can result in tearing of the sheet. The water used in water color weakens the sheet and makes your painting look amateurish. If you are deciding to make a portrait or landscape with several layers of paints then using water color is a bad idea. One cannot perform layering and glazing using water color which can be done easily using acrylic colors or oil paints.  Water color can help you to learn the first step of painting but the maturity in the painting can be attained using acrylic paints. Most of the artists recommend using acrylic color instead of water color to make your painting look artistically astute and real.canada discount pharmacy
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It is easy to make the acrylic paint look and act like water color. The acrylic paint is diluted to the point till the thick pigment of the acrylic paint becomes transparent. Once diluted the acrylic paint supports the medium. A little acrylic paint with diluted with water, when used in paper instead of water color gives an amazing look. The quality of water used to dilute the pigment depends on the type of color. Some take small quantity of water while some requires huge quantity of water to be mixed. With the diluted acrylic color one can easily use several layers of color in painting and make the painting look more glazing.
Few tips of making acrylic paints look like water color
  • Although the diluted acrylic paints helps in creating amazing effect in the painting but it dries faster. Thus it is advisable to use a dry brush to remove the dried paint.
  • Acrylic flow medium must be added to acrylic color to create a water color effect.
  • When the same colored paint is used numerous times for layering it creates shadow and dark effect.
  • White paint is not advisable to use while using acrylic color to create water color effect.
  • While using wet brush on diluted acrylic color it is not advisable to agitate the under lying color.
Thus using diluted acrylic color instead the water color is simple a good idea for beginners to create amazing paintings.
Landscape Art: Rural Punjab, Contemporary Lahore on display
As many as 74 landscape paintings by 33 artists, contemporary and old, will remain on display until December 31.
Among the works displayed, those worthy to be mentioned are Paisa Akhbar Street in hues of gray, blue and white by Ajaz Anwar, pigeons dotting the rooftop of a typical Walled City home by Matloob Baig and the rooftop view of homes from the Wazir Khan Mosque by Ghulam Mustafa.
The event was arranged by Dr Rahat Naveed Masud, principal of College of Art and Design at the Punjab University, Dr Barabara Schmitz, a visiting faculty at the PU, and Lahore Museum Curator Dr Kanwal Khalid.
The event aimed at honouring art teachers and artists playing a pivotal role in shaping up the tradition in landscape painting. Khalid said the exhibition had brought together the works of some very famous landscape painters. The rustic Punjab landscapes capturing a dust storm and mustard field by Allah Bukhsh were contributed by the museum. Dr Masud, who took months to compile the genre under one roof, said the exhibition was initially planned to honour landscape artists graduating from the College of Art and Design, but then works by other artists were also included. She said it had been decided to keep the works on display until December 31 so that artists, students, scholars and teachers could study the development of landscape artistry chronologically, particularly in the Punjab, as most landscape artists in Pakistan were from here.
One can find landscape pieces as old as 1940 and 1950s by legendary artists Allah Bukhsh, Khalid Iqbal, Anna Molka and Chughtai and as recent as late 2000 by Aneela Zulfiqar, Muhammad Arshad and Mughees Riyaaz.
Dr Masud said the event also meant to honour Khalid Iqbal, the most renowned graduate from the College of Art and Design and the only living artist from amongst the old landscape masters of Pakistan.
A catalogue with notes on 33 artists and their 74 works was also handed out to visitors.
Art critic Quddus Mirza, who has contributed one of his landscapes from 1984 to the exhibit, said it was refreshing to see the landscape painting evolution documented at the Lahore Museum.canada discount pharmacy
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Dr Barbara Schmitz, who has come from the USA to supervise M.Phil students, helped Masud put together the display and compile the catalogue. She also expressed her thoughts about the history, evolution and popularity of landscape painting in Pakistan, particularly in the Punjab. Artists Ijazul Hassan, Quddus Mirza, NCA principal Dr Shabnum Khan, Rukhsana David, Dr Musarrat Hassan and Erum Zia attended the opening.
Preliminary rounds of “Brushstrokes 2013” held at N H Goel World School, Raipur
Brushstrokes 2013 had an awesome start with its first art competition held at the N H Goel School, Raipur. Recently they organised an art competition for their students to select the nine champions who will represent the school for the final Inter School competition in the state. The young but talented artists were made to paint on any one theme among which there was “Mera Bharat Mahan”, “Bapu”, “My Country India”, “Cleaner India”, “India Today” and many more. Those students who will win this competition held in their school will compete in the Inter School competition which will be held on 2nd October and they will represent their school. “Brushstrokes” is giving an opportunity to the young artist in the city of Raipur and the level of this competition is quite high and all the students are quite eager to show off their talent. The students seemed quite enthusiastic and over 400 of them took part in the competition, the desire to represent their school was gleaming in everyone’s eyes.
There are around 2800 students from 22 different schools from the state who will be participating in this art competition and will represent their own school. The final round of the Inter School Open Art competition will be held at the Department of Culture, Chattisgarh. This competition is proudly organized and structured by the Colourentice Academy with valuable support from Ministry of Culture, Chattisgarh and Audi Raipur.
The champions will be applauded with laurels and sentiments in the inaugural ceremony of the National exhibition of Contemporary and Folk Indian Art “Brushstrokes-2013”on 4th October by the honourable Dr Shusmita Dutt, first lady of Chattisgarh. The inauguration will be a grand one and the exhibition will last for three days presenting everyone with wonderful artworks.
“Brushstrokes 2013” is the Seventh Straight Art Exhibition and the first in the city of Raipur, organised by The exhibition will be at the Art Gallery, Department of Culture, MGM Museum, Civil Lines, opposite Raj Bhawan, Raipur from 4th October till 6th October 2013. It is a great arrangement and there will be some of the famous artist with their artworks from across the nation and together with them there will the young artists of Raipur aweing others with their extraordinary painting.
Taking Care of Original Oil Paintings
Most of us have few oil paintings decorated on our walls that give an elegant look to our house. Although they might not be from famous artists like Picasso or Pollock but they are still precious to us. Thus their care and preservation is quite important. Over the time the oil painting tends to deteriorate or gets damaged due to lack of proper handling. Like other precious objects the paintings also requires a special care and attention toward their handling and preservation.
Careful transportation of the painting
The most important thing is the proper handling of the master piecethat decorates your house - Transportation of the painting must be done appropriately. It is generally advisable to use water proof cases and insulating pads to prevent the painting to get damaged from harsh weather condition or moisture in the climate. Most of the art galleries use the same tricks to preserve their valuable art pieces. While transporting the oil paintings from one place to another, the art piece must be wrapped and cushioned properly so that it might not get damaged due to travel jerking. Also the transportation of the painting must be done under appropriate weather conditions. Extremely humid or dried conditions can affect the oil painting.
Choosing the hanging place carefully
Oil paintings are not meant for filling vacant space on the wall but hanging the oil painting at appropriate place can enhance the beauty of the wall. The paintings are never advised to be hanged on damaged or damped walls because the moisture in the wall can damage the oil painting. As oil painting develop cracks in extremely  hot conditions thus the oil paints must never be keep in proximity to kitchen or fire place. Along with it the paintings must also be placed away from the source of water as it might spoil the art piece.  The direct sun rays causes the fading effect due to ultra violet rays thus it is generally suggested to keep the painting away from direct sunlight. The best option is to place the painting on the wall with low level of sun exposure. Instead of using big nails, hooks must be used to hang the picture as inserting nails can develop cracks in the painting while using hook provides extra support without any threat of damage. The dust deposited over the oil painting must be cleared regularly using soft brushes or Chinese bristled brush.  If the canvas is deposited with soil then the best alternative is to consult with a professional conservator. The professional conservator is skilled and equipped to repair and clean the oil painting without any damage.
Thus in order to preserve the oil paintings for a long time, proper care and preservation is required.  With the above mentioned tips and tactic you can preserve your precious collections of oil paintings. A little care can give a long life to your valuable oil paintings. 
Understanding the Mechanics of Art Prices
The investment part is becoming more and more complicated with the rising and falling price of items like silver and gold. We are witnessing selling off of big equities and now after the hint of Ben Bernanke of the US federation may soon start off its reckonable easing campaign. All these are making the investors confused and the question of the future of the art market arises.
With varieties of buyers with different needs and mind sets in this complicated combination of the present day art market, prejudging the trajectory and direction is quite tough. The market is not at all presumable now. This situation is being complimented with the dives of the stock-market. All these sums up to a query whether this world art market will remain protected and unmoved by these progresses!
“Well, there are not any easy answer to this query”, specifies Kathryn Tully, a regular contributor to The Forbes, “Supporters of art as an investment argue that art is not correlated to traditional asset classes”. They say that there are many people who take art as a thing to protect their capital and insulate themselves from inflation. But the statement is not accurate always.
“Art market movements, at least some of the time, can be closely aligned to stock market gyrations. When the latter sold off at the end of 2008, the art market did take a hit. The global sell off of mid-2011 when the euro zone debt crisis was at its peak and the US lost its triple-A credit rating caused jitters across the art market, as well.”
The fact of “the tricky matter” is: The Art-market may get misbalanced. It is totally dependent upon confidence hence may get shocked. Artvest co-founder, Michael Plummer, specified at the last Art Investment Council argument stated clearly that the whole scenario may get carried away very swiftly. Clarifying his views he said ““In the fall of 1990, I was at a contemporary art auction at Sotheby’s. In that one night, the market crashed. Suddenly, half the lots didn’t sell and very important paintings were bought in. The same happened again in the fall of 2008.”
Although, the present indications are quite solid as emphasized by the Impressionist Modern &Contemporary auctions held at London last month. They provided quite decent outcomes.  Now it is all about the quantitative easing campaign for the broader art market. Tully remarks “If art is supposed to be defensive purchase as well a safe haven and the Fed is signalling that the economy is finally doing better, shouldn’t people be selling their Warhols and opting for growth stocks? After all, the gold and silver prices have also plummeted recently and everyone loves to lump Silver, Wine, Art & Gold (SWAG assets) in the same bucket.”
So what will be the trend be like in a long run? Will the stock-market fall and remain to do thrive whereas the art market toughens to serve as an antidote or vice-versa? The market observer feels that there are some customers who consider art as the “safe haven” whereas the others are there who have faith that it results in massive returns.
And more of the inspiration comes clarified in the Contemporary Art-market; the greater it will get tangled with equities. On the opposing part more people will be seen buying art because of their genuine love towards it. They will keep buying until there are nothing left with them to take it to their home, thus they will keep their buying continuous.
Wearing Art: New Metaphors for Indian Fashion
Temple art was the trademark of traditional Indian clothes and accessories for centuries, setting them apart from western apparel with a distinct colour, motif and design scheme. But the arrival of contemporary art has given Indian designers new metaphors for interpretations. Art and fashion in India have spilled into each other in strange yet harmonious ways. Indian modern art has been unfurling its creativity on the traditional six-yard drape since the beginning of the 20th century in Bengal. At the Kala Bhavan in Santiniketan, artists paint landscapes and people of the Bengal countryside directly on to cotton drapes and traditional men`s shirt (kurta) with natural, fabric and acrylic colours. Two decades ago a group of artists including Manjit Bawa, M.F. Husain and J. Swaminathan scripted new fusion when they painted contemporary prints on apparel in an one-off exposition in Mumbai. Several sporadic attempts followed till a group of five artists put their heads together for a year to create the "Ehsaas Project", an art-to-fashion transpose that has produced a collection of 20 saris, 12 bags, 25 ties and 25 stoles with digital fine art prints. A hand-painted range of accessories complements the clothes. To be launched at the end of this month, the collection is a selection of abstract and figurative paintings by artists Alka Raghuvanshi, Niren Sen Gupta, Sanjoy Bhattacharya, Sridhar Iyer and Manisha Gawade that have been digitally printed on tussar silk from Bhagapur in Bihar and crepe textiles by a South Delhi ethnic and traditional clothier, Ekaya. The range, curated by Alka Raghuvanshi, will be displayed in a ramp walk by cultural personalities like dancers Swapna Sundari, Shobhana Narayaran, Sharon Lowen, Prathibha Prahlad and television presenter Suneet Tandon to display the wearability and classic nature of the collection, the curator said. "This is my second attempt to translate art into wearable fashion," Raghuvanshi told IANS. Raghuvanshi had earlier tried to transpose one of her solo shows into a collection with the help of designer Nidhi Jain. The colour code is striking. The saris are in vibrant shades of yellow, red, green and white with dark abstract and figurative silhouettes. A canvas of nudes painted with Salvador Dali`s expressionistic motifs by artist Sanjoy Bhattacharya on a black silk sari draws the viewer with its stunning detail of human anatomy. "Fashion has always been part of art. But look at the couture we have now - that`s hardly the kind of thing people can connect to. What we know as fashion is not very arty, but very crafty. People like you and I can hardly wear the clothes designers make for models on the ramp...We should have a multi-disciplinary approach to art. It can be perceived in isolation," Raghuvanshi said. Her earliest collections of expensive art, she said, were "S.H. Raza scarves - printed with images of his European paintings" that she purchased in Paris.Says artist Manisha Gawade: "My works are in three series - Mindscapes, Constant Presence and Threads of life." She paints abstract geometrical patterns in a basic colour palette of black and white that prints in bold 3-D images that assimilate from the traditional middle-eastern attires of abaya, kandura and hijab. "I spent 10 years in Dubai," the artist told IANS. Art connoisseur and animal rights activist Maneka Gandh, who has been trying to "move art out of the conventional confines to make it more utilitarian, interactive, fashionable and engaging" created, "Fly Your Carpet to the Walls" - a collection of carpets with imprints of paintings by 25 artists including S.H. Raza and M.F. Husain in 2010. It is an ongoing project that combines art with lifestyle accessories and fashion to support ethical treatment of animals. "I love to wear my own art," says artist Anjolie Ela Menon, who often designs necklaces with pendants etched with motifs of her figurative drawings. For Menon, it is "another expression of creative inspiration that puts itself into a more aesthetic use". Designer Sabyasachi Mukherjee, who manages an art foundation, says he draws his inspiration from the colourscapes of French impressionists like Monet and Henry Matisse in his clothes while leading sari maker Satya Paul has been combining contemporary and spiritual art with fashion in its "Pop Art" and "Art of the Tarot" series of clothes and sari drapes. Revivalist designer Madhu Jain is celebrating her 25th year in the fashion industry with a new edition of her textile "Projeckt M". It features Raja Ravi Verma`s paintings and the art of Kalamkari weaving from Andhra Pradesh. The project is collaboration with actor-turned-textile activist Milind Soman. Art for arts` sake is passe. It`s time now to vote in favour of a more practical and human art.
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